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Aileen's avatar

My favorite part of your concierge gift guide thread is all the descriptions of the people! To see what people are doing out in the world -- what their hobbies are, what they like, how they're choosing to age and what are they doing while they're aging. To me, it represents possibilities -- almost like, wow, I didn't know I could do that, look at all these options (not in terms of gifts, but in terms of LIVING). In some ways, I can read some of the descriptions and feel badly about myself -- wow, here's a mid-50s woman who is doing all.these.things and here I am barely surviving while taking care of two puppies lol -- and other times, I read descriptions that adult children have written of their parents and read what has stood out to them and it makes me consider how I show up for my own adult children. I don't know, there's a lot there. But I read the concierge gift guide for hours all for the stories of all the people. And ofc, I offer suggestions where I'm able, but for me, it's really about all the love and relationships and what stands out to people when they think of their special someone, how to touch the lives of the people around you. Thanks for creating it AHP!

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KF's avatar

This is a little self-indulgent to muse about, but it’s so close to my heart. I wrote the gift guides for a major magazine (think: a word that goes in front of “cookie” and famously publishes a list of the 500 biggest companies every year) for about 15 years, from 2003-2018; I was on staff for the first few years and then a freelancer for most of them. I miss it so much, and I also think a lot about whether it would be as joyful to do now that every single influencer and Substack does a bundle of them now. The affiliate link thing makes me wonder if I’d still be able to approach it the same way now, or if it would be more influenced by bringing in those links. My favorite part of the process was finding small brands doing incredibly cool stuff and amplifying them to an audience that had the money to spend on things that weren’t *everywhere.*

There was an art form to coming up with the categories every year and giving the whole package a cohesive vibe while having a wide range of price points, styles, and types of objects. A key challenge was that we actually did a photo shoot with the objects, so scale mattered and we’d have to be creative with showing, say, a surfboard and a pair of headphones. For anyone who is curious about the actual process back in the days of Print Media (which is perhaps rebounding??), I’m happy to say more!

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